In the words of the artist: “First, a deceleration — an anti-stance to what’s happening in media right now. Hence one-take, hence this time-lapse aesthetic, even though it isn’t one. The clouds and the sky should be seen passing by. But then it clashes with a transcendental layer: the derricks doubled and tripled on top of each other, until everything culminates in what is actually the most surreal — watching this herd of pumpjacks, slow and sluggish like grazing cows, devouring the very foundation of our existence.”
